martha ryan


 

A statistically sound and ever-accumulating study of formica ant heaps, conducted by the author and four scientists marching up Raxalpe in single file. Ridiculous green grasses:

The god of accumulation knows no distinction. The god of distinction knows no accumulation. The god of knowing knows nothing ongoing:

What amasses enough will heap (sand, frequency of words in a book, your brain’s known neuronal urges, grasses culled and carried away):

I’m armed with temperature gun and measuring tape. I can’t access exuberance. I relate, in my least fluent language, heartbreak to my old friend: my heart died. It all spoiled:

Melodrama, my sick muse, forced by inaptitude. My friend replies in a language I never learned, better than sinking into someone’s arms deceived by understanding:

We rotate heavy packs. Heavy instruments pull me back. Pull me forward when I shake a scientist’s hand. His shoulder stops my sentence:

Still strung to the verge I turn against the mountain and make demands. May this drain split my sense. May this rondure know our solar. Meanwhile I eat shit:

Seek heap slope. Crave heap location, inscribed. Desire heap size in our native numbers. And if fate were a legible heap I could trace, then? When my ex left, my teacher said: you have shit on your face:

Just wipe it off. Know distinction of no distinction. Know the slope of change. Between god, science, astrology, weather, I need system sense to inscribe good’s slide. If not why, then its grammar:

Or some maxim to fill the pit I dug with reddened heels. Clod by clod I heaved small certainties. Enough bits atop other bits will make something I can love or look past:

At the pinnacle we assign roles to measure, to photograph, to orient. I record. Blithe pestless sky drenched in wrung blue. Frenchman’s nose spreads its red. Day grates: we touch our own skins:

My friend the physicist knows all about nothing: all heaps. All heaps-in-process. Accreting, eroding. Heap logic will pull from us sloughs of organic color regardless of our plans or otherwise precise slicings:

Regardless of origin, dust will sunder the gear. The gear sputters in the living avalanche: ant by pile, pile by ant, while the doctorates measure this heap, that heap, speak:

Thick rivulets of ants throng along the law of fruit cut to eat. We are all confluencing toward our queens: the heap insists. When I tumbled from the verge I hung off metal hooks of attraction:

I clawed toward my love – I, warm heap in fractal of its source (Alps, god, humanific gaze) I voluntary sliced so I could heap so I could measure the size, not what made it so, slough off distinction:

The ants bite. Formic acid ablates off our skins; we watch the workers push the next grain toward tumble. The map is static. We traffic up motion:

Slopes trend toward unison: same slope of the child-heap I tumbled, free joy, sand-coated orifice. Sufficient smallness made conditions for softness:

My mother covered rupture with red ribbon. Expect avalanche, she never said. Over-order yourself against the world’s dis-or-order, she never said but maybe meant:

What pulled me up the pinnacle, a perfect love, or its imperfections? Did I waver or did I claim the unified slope I did not own?

The heap I thought I could keep, the first, pointed breast whether measured or gripped. Sweet single grain – the slip certain, this fall unplumbed.

 

Martha Ryan is a writer and teacher who received an MFA in 2023 from the University of Washington, Seattle. Her creative work has been published in Foglifter, Fugue, TELEPHONE, Adroit Journal, and Channel Magazine. She has received prizes and fellowships from Fulbright (2017), Nelson Bentley MFA Award (2021), Centrum (2023), and Lighthouse (2024).